Amarcord soundtrack nino rota biography

Amarcord soundtrack nino rota biography: Nino Rota was an Italian

He also wrote a thesis on Gioseffo Zarlino, composer of the Renaissance. Then he turned to a career of teaching music, fromhe led with his head on practice of composer, and that leads him to take the lead inthe Conservatory of Bari, he held until his death. He also worked for Edgar G. He then taught music theory for two years--in and at the Liceo Musicale in Taranto.

A year later, he became a faculty member at the Liceo Musicale in Bari, where he taught composition and harmony. Rota maintained a close, longstanding friendship with Russian-born composer Igor Stravinsky throughout his life, yet his style was never influenced by the friendship. Rota preferred a simplicity of style; his melodies were marked by directness and his compositions were often whimsical.

Amarcord soundtrack nino rota biography: Amarcord Nino Rota is an album

He was able to work in many different musical categories without sacrificing technical quality or knowledge, and this adaptability earned him an abiding respect from his musical peers. After experimenting with various operas, symphonies, and other classical pieces in the late s and early s, Rota composed his first music for film--the score to His Young Wife--in By he had been named director of the Liceo Musicale in Bari and within three more years had seven additional film scores to his credit.

Rota's first project for director Federico Fellini was the soundtrack to the film La Strada. Fellini then decided to use Rota for all of his future works. Alongside this great body of film work, he composed ten operasfive ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto.

Amarcord soundtrack nino rota biography: Nino Rota was born

He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo De Filippo [3] as well as maintaining a long teaching career at the Liceo Musicale in BariItaly, where he was the director for almost 30 years. He studied at the Milan conservatory there under Giacomo Orefice [3] and then undertook serious study of composition under Ildebrando Pizzetti and Alfredo Casella at the Conservatorio Santa Cecilia in Romegraduating in He won a scholarship to the Curtis Institute of Philadelphiawhere he was taught conducting by Fritz Reiner and had Rosario Scalero as an instructor in composition.

Rota earned a degree in literature from the University of Milan, graduating inand began a teaching career that led to the directorship of the Liceo Musicale in Baria title he held from until Frisell became something of a secret production weapon for Willner, playing on Mathilde Santing's Love of the Common Man, for example, and on Ringo Starr's When You Wish upon a Star, for which Fellini offered to direct a promotional video.

The solo pieces clear the air before La Dolce Vita Suite. This is spliced together from three sections: Sharon Freeman's multitracked French horns and piano combined with steel drums; a spacious and live Notturno scored and conducted by AACM founder Muhal Richard Abrams; and Michael Sahl's languorous arrangement of Valzer parlami di mewith painstakingly tracked guitars from Blondie's Chris Stein and a lazily crooning Debbie Harry.

A brief, scary horn fanfare from Freeman leads into Steve Lacy's soprano sax improvisation on the theme from Fellini's Roma, accompanied solely by a gong.

Amarcord soundtrack nino rota biography: Giovanni "Nino" Rota Rinaldi was an

Rarely has "difficult listening" felt so good. This small-group feature for tenor saxophonist George Adams hints at the neo-classical adventures to come for the Marsalis brothers, and makes the most of Ron Carter's swinging, melodic bass. Fischer's ensemble draws on jazz roots as deep and thorny as those of Jaki Byard, who brings the album to a contemplative close with La Strada.