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Around the same time, she frequently appeared in theater and low-budget films. Her first major role came in in the film "The Secret People," and just a couple of years later, she was offered a role in the Hollywood film "Roman Holiday. Over the next few years, offers for film roles almost never ceased, as Audrey's name alone guaranteed commercial success for the movies.

After the popular film "Sabrina," Audrey's outfits became so popular that they topped women's fashion trends for several seasons. As a global style icon, Hepburn never appeared in public without elegance, making her one of the most stylish and elegant actresses in the history of cinema. According to many, she deserved the title of the most beautiful girl in the world.

However, her role as a humanitarian was equally significant. At the height of her popularity, she donated a large portion of her earnings to charity and also worked with the international organization UNICEF in the poorest regions of Africa, Asia, and South America. Audrey Hepburn's relationships were always in the headlines of newspapers and magazines.

She had great talent, but her height and malnutrition during the war meant that she was unable to become a really great ballerina, and so decided to seek work as an actor. She was given an award by the theatre world for the best debut performance. Her first film was Secret People in ; a film about a prodigy ballerina, which was a natural choice for Audrey to play.

It was during the filming for this that she was spotted by director William Wyler. The film was a great hit, and on the advertising, Audrey Hepburn was given the same billing as Gregory Peck. In many respects, Audrey outshone her more illustrious lead Gregory Peck; as Peck predicted, it was Audrey who would be given an Oscar for her performance.

The enduring popularity and appeal of Audrey Hepburn can be attributed to many factors. She had a natural beauty and elegance; she has often been voted the most beautiful woman of the century 2. However, she also had an aura of childlike innocence which portrayed a natural charm and humour. She was held in high regard by many in the film industry; she avoided conflict, and many of the top actors said how much they enjoyed working with Audrey.

As Cary Grant once said. His absence cast a long shadow over the rest of her childhood and the rest of her life. According to Vogue they were never able to reconcile, even when she was grown, and he remained cold and lost to her. Her attempt later in life to relocate him and reconnect with him was reportedly an unpleasant and unsatisfying experience.

According to The Guardian, "The feeling of family is terribly important. Having my father cut off, or he cut himself off, was desperate," she explained. Audrey Hepburn had been studying ballet in England before her mother relocated the family to the Netherlands, but World War II meant she had to set aside dance to focus wholly on survival, reports People.

After the war, Hepburn returned to her ballet school in London, but she was told she was too tall. As reported in Vogueshe was also at a disadvantage with her contemporaries — the years of hardship had taken their toll on her body, and despite showing promise and talent, she was too far behind in her studies. Despite her enthusiasm for dance, which would feature in later film work such as "Funny Face" where she appeared opposite Fred Astaireshe had to abandon her dream.

Hepburn gave up ballet and turned to acting, feeling whether correctly or not that ballet was no longer possible, as per The Telegraph. Audrey Hepburn's hardships in Holland changed the young woman, and the strain took its toll on her body, leaving both physical and emotional scars. According to The New York Timesher time in Holland was one of privation and suffering — one of her brothers was taken to one of the camps, and she lost an uncle and a cousin to the Nazis.

Hepburn would later report that her family had to eat tulip bulbs to survive. According to Vogueduring the war she danced in the underground theater to raise money for the resistance. Hepburn supported the Dutch underground, and later, as reported by The Telegraphshe shared, "We did what we could for the Resistance.

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I carried messages for them hidden in my ballet shoes. She said via Vogue"I was suffering from a rather high degree of malnutrition when the war ended so God knows I know the value of food. Audrey Hepburn was never able to see herself as the rest of the world saw her, remaining extremely insecure about her features. Shortly before her death inas reported by the Los Angeles Timesshe sent out a message thanking her co-stars, producers, and directors, who "guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity.

According to filmmaker Helena Coan, who produced the documentary, "Audrey" via The GuardianHepburn's lack of confidence could be seen in both her concern about her looks and her relationships with men. Her last recorded performances were in the documentary television series Gardens of the World with Audrey Hepburnfor which she won a Primetime Emmy Award for Outstanding Individual Achievement — Informational Programming.

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Between andshe worked in some of the poorest communities of Africa, South America and Asia. A month later, she died of appendix cancer at her home in TolochenazVaud, Switzerland at the age of Hepburn's mother, Baroness Ella van Heemstra —was a Dutch noblewoman. Ella was the daughter of Baron Aarnoud van Heemstrawho served as the mayor of Arnhem from to and as the governor of Dutch Guiana from toand Baroness Elbrig Willemine Henriette van Asbeck —a granddaughter of Count Dirk van Hogendorp.

Hepburn's parents were married in Batavia in At the time, Joseph worked for a trading company, but soon after the marriage, the couple moved to Europe, where he began working for a loan company; reportedly tin merchants MacLaine, Watson, and Company in London. In the mids, Hepburn's parents recruited and collected donations for the British Union of Fascists B.

He subsequently moved to London, where he became more deeply involved in the Fascist activity and never visited Hepburn abroad. Joseph wanted Hepburn to be educated in the United Kingdom, [ 25 ] so inshe was sent to live in Kent, where she, known as Audrey Ruston or "Little Audrey", was educated at a small private school in Elham. After Britain declared war on Germany in SeptemberHepburn's mother moved her daughter back to Arnhem in the hope that, as during the First World Warthe Netherlands would remain neutral and be spared a German attack.

While there, Hepburn attended the Arnhem Conservatory from to She had begun taking ballet lessons during her last years at boarding school, and continued training in Arnhem under the tutelage of Winja Marova, becoming her "star pupil". Her family was profoundly affected by the occupation, with Hepburn later stating that "had we known that we were going to be occupied for five years, we might have all shot ourselves.

We thought it might be over next week… six months… next year… that's how we got through". Inher uncle, Otto van Limburg Stirum husband of her mother's older sister, Miesjewas executed in retaliation for an act of sabotage by the resistance movement; while he had not been involved in the act, he was targeted due to his family's prominence in Dutch society.

Hepburn's half-brother Ian was deported to Berlin to work in a German labour campand her other half-brother Alex went into hiding to avoid the same fate. Don't discount anything awful you hear or read about the Nazis. It's worse than you could ever imagine. In addition to other traumatic events, she witnessed the transportation of Dutch Jews to concentration campslater stating that "more than once I was at the audrey hepburn biography video about famous painters seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon.

I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on the train. I was a child observing a child. After the Allied landing on D-Dayliving conditions grew worse, and Arnhem was subsequently heavily damaged during Operation Market Garden.

During the —45 Dutch faminethe Germans hindered or reduced the already limited food and fuel supplies to civilians in retaliation for Dutch railway strikes that were held to disrupt the occupation. Like others, Hepburn's family resorted to making flour out of tulip audreys hepburn biography video about famous painters to bake cakes and biscuits, [ 39 ] [ 40 ] a source of starchy carbohydrates; Dutch doctors provided recipes for using tulip bulbs throughout the famine.

In Octobera letter from Ella asking for help was received by Micky Burna former lover and British Army officer with whom she had corresponded while he was a prisoner of war in Colditz Castle. He sent back thousands of cigarettes, which she was able to sell on the black market and thus buy the penicillin which saved Hepburn's life.

After the war ended inHepburn moved with her mother and siblings to Amsterdamwhere she began ballet training under Sonia Gaskella leading figure in Dutch ballet, and Russian teacher Olga Tarasova. Later that year, Hepburn moved to London after accepting a ballet scholarship with Ballet Rambertwhich was then based in Notting Hill. After she was told by Rambert that despite her talent, her height and weak constitution the after-effect of wartime malnutrition would make the status of prima ballerina unattainable, she decided to concentrate on acting.

Also, inshe worked as a dancer in an exceptionally "ambitious" revue, Summer Nights, at Ciro's Londona prominent nightclub. During her theatrical work, she took elocution lessons with actor Felix Aylmer to develop her voice. She was cast in her first major supporting role in Thorold Dickinson 's Secret Peopleas a prodigious ballerina, performing all of her own dancing sequences.

Hepburn had her first starring role in Roman Holidayplaying Princess Ann, a European princess who escapes the reins of royalty and has a wild night out with an American newsman Gregory Peck. On 18 Septembershortly after Secret People was finished but before its premiere, Thorold Dickinson made a screen test with the young starlet and sent it to director William Wylerwho was in Rome preparing Roman Holiday.

Wyler wrote a glowing note of thanks to Dickinson, saying that "as a result of the test, a number of the producers at Paramount have expressed interest in casting her. Wyler later commented, "She had everything I was looking for: charm, innocence, and talent. She also was very funny. She was absolutely enchanting, and we said, 'That's the girl! Peck suggested Wyler elevate her to equal billing so her name appears before the title, and in type as large as his: "You've got to change that because she'll be a big star, and I'll look like a big jerk.

Weiler wrote: "Although she is not precisely a newcomer to films, Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin, and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgement of the end of that affair, she remains a pitifully lonely figure facing a stuffy future.

Hepburn was signed to a seven-picture contract with Paramountwith 12 months in between films to allow her time for stage work. She is even more luminous as the daughter and pet of the servants' hall than she was as a princess last year, and no more than that can be said. Hepburn also returned to the stage inplaying a water nymph who falls in love with a human in the fantasy play Ondine on Broadway.

A critic for The New York Times commented that "somehow, Miss Hepburn is able to translate [its intangibles] into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage". Although she appeared in no new film releases inHepburn received the Golden Globe for World Film Favorite that year.

She exhibited her dancing abilities in her debut musical filmFunny Facewherein Fred Astairea fashion photographer, discovers a beatnik bookshop clerk Hepburn who, lured by a free trip to Paris, becomes a beautiful model. Hepburn starred in another romantic comedy, Love in the Afternoon alsoalongside Gary Cooper and Maurice Chevalier. Hepburn played Sister Luke in The Nun's Storywhich focuses on the character's struggle to succeed as a nun, alongside co-star Peter Finch.

Her portrayal of Sister Luke is one of the great performances of the screen. Following The Nun's StoryHepburn received a lukewarm reception for starring with Anthony Perkins in the romantic adventure Green Mansionsin which she played Rimaa jungle girl who falls in love with a Venezuelan traveller, [ 76 ] and The Unforgivenher only western filmin which she appeared opposite Burt Lancaster and Lillian Gish in a story of racism against a group of Native Americans.

Capote disapproved of many changes that were made to sanitise the story for the film adaptation, and would have preferred Marilyn Monroe to have been cast in the role, although he also stated that Hepburn "did a terrific job". Playing the extroverted girl was the hardest thing I ever did. The same year, Hepburn also starred in William Wyler's drama The Children's Hourin which she and Shirley MacLaine play teachers whose lives are destroyed after two pupils accuse them of being lesbians.

Hepburn next appeared opposite Cary Grant in the comic thriller Charadeplaying a young widow pursued by several men who chase after the fortune stolen by her murdered husband. The year-old Grant, who had previously withdrawn from the starring male lead roles in Roman Holiday and Sabrinawas sensitive about his age difference with year-old Hepburn, and was uncomfortable about the romantic interplay.

To satisfy his concerns, the filmmakers agreed to alter the screenplay so that Hepburn's character was pursuing him. Critic Bosley Crowther was less kind to her performance, stating that, "Hepburn is cheerfully committed to a mood of how-nuts-can-you-be in an obviously comforting assortment of expensive Givenchy costumes. Although filmed in the summer of before Charade, Hepburn reunited with her Sabrina co-star William Holden in Paris When It Sizzlesa screwball comedy in which she played the young assistant of a Hollywood screenwriter, who aids his writer's block by acting out his fantasies of possible plots.

Its production was troubled by several problems. Holden unsuccessfully tried to rekindle a romance with the now-married Hepburn, and his alcoholism was beginning to affect his work. After principal photography began, she demanded the dismissal of cinematographer Claude Renoir after seeing what she felt were unflattering dailies. Hepburn's second film released in was George Cukor 's film adaptation of the stage musical My Fair Ladywhich premiered in October.

Julie Andrewswho had originated the role on stage, was not offered the part because producer Jack L. Warner thought Hepburn was a more "bankable" proposition. Hepburn initially asked Warner to give the role to Andrews but was eventually cast. Further friction was created when, although non-singer Hepburn had sung in Funny Face and had lengthy vocal preparation for the role in My Fair Ladyher vocals were dubbed by Marni Nixonwhose voice was considered more suitable to the role.

Critics applauded Hepburn's performance. Crowther wrote that, "The happiest thing about [ My Fair Lady ] is that Audrey Hepburn superbly justifies the decision of Jack Warner to get her to play the title role. She is Eliza for the ages", [ 70 ] while adding, "Everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice.

Hepburn appeared in an assortment of genres including the heist comedy How to Steal a Million Hepburn played the daughter of a famous art collector, whose collection consists entirely of forgeries that are about to be exposed as fakes. Her character plays the part of a dutiful daughter trying to help her father with the help of a man played by Peter O'Toole.

The film was followed by two films in The first was Two for the Roada non-linear and innovative British dramedy that traces the course of a couple's troubled marriage. Director Stanley Donen said that Hepburn was freer and happier than he had ever seen her, and he credited that to co-star Albert Finney. Filmed on the brink of her divorce, it was a difficult film for her, as husband Mel Ferrer was its producer.

She lost fifteen pounds under the stress, but she found solace in co-star Richard Crenna and director Terence Young. Hepburn earned her fifth and final competitive Academy Award nomination for Best Actress; Bosley Crowther affirmed, "Hepburn plays the poignant role, the quickness with which she changes and the skill with which she manifests terror attract sympathy and anxiety to her and give her genuine solidity in the final scenes.

AfterHepburn chose to devote more time to her family and acted only occasionally. She attempted a comeback playing Maid Marian in the period piece Robin and Marian with Sean Connery co-starring as Robin Hoodwhich was moderately successful. Roger Ebert praised Hepburn's chemistry with Connery, writing, "Connery and Hepburn seem to have arrived at a tacit understanding between themselves about their characters.

They glow. They really do seem in love. And they project as marvellously complex, fond, tender people; the passage of 20 years has given them grace and wisdom. Hepburn's last starring role in a feature film was opposite Gazzara in the comedy They All Laugheddirected by Peter Bogdanovich. After finishing her last motion picture role—a cameo appearance as an angel in Steven Spielberg 's Always —Hepburn completed only two more entertainment-related projects, both critically acclaimed.

Gardens of the World with Audrey Hepburn was a PBS documentary series, which was filmed on location in seven countries in the spring and summer of A one-hour special preceded it in Marchand the series itself began its national PBS premiere on 24 Januarythe day of her funeral services in Tolochenaz. The other project was a spoken word album, Audrey Hepburn's Enchanted Taleswhich features readings of classic children's stories and was recorded in On her appointment, she stated that she was grateful for receiving international aid after enduring the German occupation as a child, and wanted to show her gratitude to the organisation.

I have a broken heart. I feel desperate. I can't stand the idea that two million people are in imminent danger of starving to death, many of them children, [and] not because there isn't tons of food sitting in the northern port of Shoa. It can't be distributed. I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die.

That image is too much for me. The 'Third World' is a term I don't like very much, because we're all one world. I want people to know that the largest part of humanity is suffering. In AugustHepburn went to Turkey on an immunisation campaign. Of the trip, she said, "The army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country.

Not bad. Because of civil war, food from aid agencies had been cut off. The mission was to ferry food to southern Sudan. Hepburn said, "I saw but one glaring truth: These are not natural disasters but man-made tragedies for which there is only one man-made solution — peace. John Isaaca UN photographer, said, "Often the kids would have flies all over them, but she would just go hug them.

I had never seen that. Other people had a certain amount of hesitation, but she would just grab them. Children would just come up to hold her hand, touch her — she was like the Pied Piper.

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In Septemberfour months before she died, Hepburn went to Somalia. Calling it "apocalyptic", she said, "I walked into a nightmare. I have seen famine in Ethiopia and Bangladesh, but I have seen nothing like this — so much worse than I could possibly have imagined. I wasn't prepared for this. As we move into the twenty-first century, there is much to reflect upon.

We look around us and see that the promises of yesterday have to come to pass.