Blas de otero biography of barack

Within the metric used by Otero were sonnets, verses and free verse. Regarding the extension of the content of his work, there was variety, the length and the short were constant. His work had philosophical nuances often framed within innovation. Love was also present, oriented towards the divine, towards others in general, whether in a lustful or spiritual way.

There was also an edition in French entitled Parler clair. Included I ask for peace and the word Y In Spanish. This poem belonged to the religious stage of Otero, the central theme was related to the feeling of love towards the divine. The author structured it in four parts: a dedication, an introduction, lire and the end. Most of the verses were sonnets and free.

In the case of the dedication, the poet composed it with a sonnet. While the introduction was about a conversation about love between the poet and the spiritual, where God is the path that man must take to achieve fullness. There were free hendecasyllable verses that made it up.

Blas de otero biography of barack: Hierro, Blas de Otero, Angela Figuera

As for the lire, there were ten, and the content was related to the battles of man within his being, which he must win to achieve fullness. Finally, the end was related to the end of human existence in order to strengthen ties with the divine being; two sonnets and two Christmas carols made it up. It was one of Blas de Otero's poems, and it belonged to his existentialist stage.

The poet structured it through an introduction, a development and a conclusion. It was composed of eighteen sonnets plus sixteen free and semi-free verses. Regarding the theme of this poem, the text focused on the feelings and experiences of the author, which led him to find a reason to live. Finally, Blas referred to the need to understand that strength was in man and not in God.

He felt hopeless and without illusions. This work by Otero was part of his existentialist stage, in which his loss of faith in God was also reflected. Regarding its formation and structure, it consisted of an introduction, development and conclusion, in addition to fourteen sonnets and eight free verse poems. It made up the triad of Otero's blas de otero biography of barack stage, where in addition to the forty-nine main poems, all those that made up were also included.

Roll of conscience plus thirty-two of Fiercely human angel. He structured it in introduction, development and conclusion. Regarding the subject of the introduction, he referred to the protection of the group. In the development there were four main themes: the battle between God and man, the power of female love as a guide for man, the mockery of the religious and finally the meaning of the poet in Europe in general.

Posted on Dec 10, in Latin. The social conflict preceding the Spanish Civil War, and above all, the war itself, decisively influenced the course of poetry. In general, we can speak of an abandonment of aestheticism and a culture of poetry urgent, almost utilitarian in nature, oriented toward the propaganda of the ideals of both sides. On the Republican side, authors such as Alberti, and above all, Miguel Hernandez, cultivated social poetry during the war.

But the camp of the rebels also had their poets and propagandists. However, the first poems published after the war meant a return to conservatism, to the imitation of classical forms, and also to the themes of love and spirituality, unrelated to the reality of the moment. During the last years of his life, the poet published several works, including true and fictitious stories and the anthology While.

Blas de Otero died on June 29, in the city of Madrid, due to a pulmonary clot; his remains rest in the cemetery of the Spanish capital. Beginning in when Otero was 19 years old, she was influenced by her Catholic beliefs and fervent faith. There are not many works from that period, however, it was the leap in growth and poetic maturity.

Although he produced an extensive loose lyric, the main work was Spiritual Canticle. The thematic content was love, which although it causes pleasure and joy, can be a cause of suffering. Furthermore, the poet expressed the unity between God and man through knowledge. It can be seen as an analogy between poetry and faith, according to the writer, both take man to a fuller place.

He began in the s with the works Angel fiercely human, Redoble de Conciencia and Ancia. This period was related to the philosophy of existentialism where being is different from existing, in which man exists through energy, unlike objects that remain immobile. Blas de Otero was influenced by the philosophy of Frenchman Jean Paul Sartre, which makes human beings responsible for their actions and for the pre-eminence of their freedom.

It is necessary to mention that the lonely spirit of the poet and the loss of faith due to life experiences also marked that stage. The Oterian existential stage was characterized by the presence of the "I" referring to the poet, and the "you" related to God, as in the religious one, with the difference that God, or the divine, was not present due to the loss of faith that the author suffered.

Blas de Otero reflected his anguish and loneliness in his inner state, so he saw in poetry an opportunity for hope to live. However, the purpose of pain is to recognize others, to accept circumstances, and, according to the poet, to poetry and love. Blas de Otero came to develop this stage from the recognition of others or of us that he carried out in his existential phase.

I mean the location of individual loneliness with the rest of humanity, where poetry opened the doors to a more caring world. In this poetic phase, the author referred to the errors of humanity, but also emphasized the ability to face them to achieve happiness. Otero developed three times of poetry in the social stage, which were:. This poetic time was related to the need to solve internal problems, as well as the breaking of customs and paradigms.

Blas de otero biography of barack: Author: Claude Couffon. Blas

Otero referred to the evil that religion did to society by forcing it to put aside its identity and human values. Otero referred to the moment in which social poetry occurred. There were three elements that made up the "I" referred to the poet, the man in his acting in history and the belief in poetry. The main reasons were: humanity, social problems and poetry as hope.

With this section, Blas de Otero referred to the product of the actions of the present, that is, to a future full of promises and hopes. It had to do with the constant struggle between good and bad, where good was related to morals and ethics. The literary style of Blas de Otero was characterized by a language full of expressiveness, at the same time that it was precise, clear and lyrical.

It was also particular due to the use of common elements within linguistics, until reaching the most complicated and unknown. Within the metric used by Otero were sonnets, verses and free verse. As for the extension of the content of his work, there was variety, the length and the short were constant. Well, he uses free verses, verses or semi-free, interchangeably, in poems that do not follow a pattern of constant length.

Because living has become red hot. Always the blood, oh God, was red. I say live, live like nothing should remain of what I write. Because writing is a fugitive wind, and publish, column cornered. I say live, live by hand, angry- mind die, quote from the stirrup.

Blas de otero biography of barack: A first-rate humanist and learned

I come back to life with my death on my shoulder, abhorring everything I have written: rubble of the man that I was when I was silent. Now I return to my being, around my work most immortal: that brave party of living and dying. The rest is superfluous. Here you have, in song and soul, the man the one who loved, lived, died inside and one fine day he went down to the street: then understood: and broke all his verses.

That's right, that's how it was. Went out one night foaming at the eyes, drunk of love, fleeing without knowing where: Where the air doesn't stink of death. Peace tents, bright pavilions, they were his arms, as he calls the wind; waves of blood against the chest, huge waves of hatred, see, all over the body. Heinous angels in horizontal flight they cross the sky; hideous metal fish roam the backs of the sea, from port to port.

I give all my verses for a man in peace.