Esteban montejo biography of a runaway slaves

Open Library American Libraries. Search the Wayback Machine Search icon An illustration of a magnifying glass. Sign up for free Log in. Biography of a runaway slave Bookreader Item Preview. It appears your browser does not have it turned on. Please see your browser settings for this feature. EMBED for wordpress. Read Edit View history. Tools Tools.

Download as PDF Printable version. In other projects. Wikidata item. Esteban Montejo. Slave sugar plantation worker political activist. Biography [ edit ]. See also [ edit ]. References [ edit ]. Cuadernos Inter. The Autobiography of a Runaway Slave. London, Sydney: Bodley Head. ISBN Castro, the sole source of political power and the director of the Revolution, intended to reinvent Cuban society.

Castro planned to develop other industries and agricultural products, which would make Cuba less dependent upon the United States for food and manufactured goods. In he nationalized the sugar industry despite the protests of the U. The next year Castro declared himself a communist. The United States broke off diplomatic relations, made attempts to remove Castro from power, and imposed an economic embargo on the island, which remains in effect although relaxed to some degree in January 40 years later.

That same year an army of Cuban exiles, trained and supported by the U. Later in the world almost saw nuclear war when U. President John F. The United States set up a naval blockade of the island, whereupon the Soviets backed down and removed the missiles. These U. It appeared that Castro was raising a prostrate Cuba from generations of U.

At the same time, his Revolution improved the living conditions for the poorest Cubans, raising their standards of literacy, health, housing, education, and sanitation.

Esteban montejo biography of a runaway slaves: In this remarkable testimony, Cuban novelist

For three days in June Castro addressed a prominent group of intellectuals at the National Library in Havana. The Revolution did not limit the freedom of the true artist, he claimed, but rather gave him or her the opportunity to serve the people whose freedom had been denied for so long. Artists must be willing, said Castro, to dedicate their abilities to the Revolution.

They should help form a cultural revolution in addition to the socioeconomic one. The art they produced should not be for personal prosperity but for the benefit of their contemporaries, the people of Cuba. Those intellectuals and artists whose work did not reflect the ideals of the Revolution received cold rebukes from the government.

Their jobs were terminated, their books were not published, and their art was not displayed. In one renowned case, the poet Heberto Padilla was imprisoned for verse that was critical of the government. A number of artists, including Padilla, ultimately fled the island to pursue their art in exile. Genres such as the novel were transformed to accommodate revolutionary concerns and beliefs, and the testimonial novel—oral testimony told to a transcriber—was born.

We recently had the experience of meeting an old woman, years old, who had just learned to read and write, and we proposed to her that she write a book. She had been a slave, and we wanted to know what the world looked like to her as a slave, what her first impressions were, of her masters, of her fellow slaves. I believe that this old woman can write something more interesting than any of us could about that era.

Esteban montejo biography of a runaway slaves: Originally published in , Miguel

Things like these are the fruit of the Revolution! Who can write about what the slave endured better than she, and who can write about the present better than you? Castro is here calling for a new history that includes the voices of oppressed participants. Barnet was a student in Havana at that time. On the heels of this antiracist declaration came advances in civil rights for black Cubans.

Certainly Cuba did not rid itself of racism—to a large extent a legacy of the slavery featured in the biography of Esteban Montejo. It has been translated into many European languages, adapted into two films, and transformed into a year-long radio serial in Cuba. Early reviewers of the English translation, which bore the title Autobiography of a Runaway Slaveconsidered the book in light of its importance to the study of Cuban history.

Barnet, Miguel. Biography of a Runaway Slave.

Esteban montejo biography of a runaway slaves: Biography of a runaway slave

Nick Hill. Willimantic, Conn. Brandon, George. Bloomington: Indiana University Press, Castro, Fidel. Baltimore: Penguin, Flynn, Pritchard. Review of Autobiography of a Runaway Slave. NewsweekSeptember 16, Modern Latin-American Fiction Writers. Dictionary of Literary Biography. Detroit: Gale Research, Sklodowska, Elzbieta. Georg M. Durham, N. C: Duke University Press, Cite this article Pick a style below, and copy the text for your bibliography.

January 8, Retrieved January 08, from Encyclopedia. Then, copy and paste the text into your bibliography or works cited list. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. Arts Culture magazines Biography of a Runaway Slave. Biography of a Runaway Slave gale.

Learn more about citation styles Citation styles Encyclopedia. More From encyclopedia. Biographies of Eminent Monks Gaoseng Zhuan. Biographies and Autobiographies. Biographies - Yukon. Biographies - Senate. Biographies - Saskatchewan. Biographies - Quebec. Biographies - Privy Council. Biographies - Prince Edward Island. Biographies - Ontario.

Biographies - Nunavut. Biographies - Nova Scotia. Biographies - Northwest Territories. Classifications Library of Congress CT M6 ACT M6A The Physical Object Format paperback Number of pages Source records amazon.

Esteban montejo biography of a runaway slaves: In this title, Cuban

Community Reviews 0. Loading Related Books. December 25, Edited by. December 7,