Hej litteraturen august strindberg biography

He spent a few more semesters in Uppsala, finally leaving in Marchnever graduating. After leaving university for the last time, he started a career as a journalist and critic for newspapers in Stockholm. Strindberg was married three times, to Siri von EssenFrida Uhland lastly Harriet Bosse Though he had children with all of them, his hypersensitive, neurotic character led to bitter divorces.

Late in his life he met the young actress and painter Fanny Falknerwho later wrote a book about his last years, but the exact nature of their relationship is debated.

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He had a brief affair in Berlin with Dagny Juel before his marriage to Frida; and it has been suggested that the shocking news of her murder might have been the reason for his cancelling the already postponed honeymoon with his third wife, Harriet. Strindberg's relationships with women were troubled, and his legacy of words and deeds has often been interpreted as misogynist by both his contemporaries as well as modern readers.

However, most acknowledge that he had uncommon insight into the hypocrisy of his society's gender expectations, sexual behavior and morality. Marriage and the family were under stress in Strindberg's lifetime as Sweden industrialized and urbanized at a rapid pace. He returned to Uppsala in January to study and work on a set of plays, the first of which opened at the Royal Theatre in Septembera biography of the Danish sculptor Bertel Thorvaldsen.

He spent a few more semesters in Uppsala, finally leaving in March without graduating. After leaving university for the last time, he embarked on his career as a journalist and critic for newspapers in Stockholm.

Hej litteraturen august strindberg biography: literary canon. Hej Litteraturen!

Strindberg was admired by the Swedish working class as a radical writer. He was a socialist or perhaps more of an anarchistwhich he himself claimed on at least one occasion. Strindberg's political views nevertheless shifted considerably within this spectrum over the years, and he was never primarily a political writer. Nor was he often found campaigning for any one issue, preferring instead to pour literary and manifesto-style scorn over his enemies en masse—the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots—and he was loyal to no party or ideology.

Many of his works however carried at least some political coloring and sometimes an abundance of it. They often displayed the conviction that life and the prevailing system was profoundly unjust and injurious to ordinary citizens.

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In the play he used Charles Darwin 's theory of survival of the fittest and dramatized a doomed sexual encounter that crosses the division of social classes. It is believed that this play was inspired by the marriage of Strindberg, the son of a servant, to an aristocratic woman. In the essay On Psychic Murderhe referred to the psychological theories of the Nancy Schoolwhich advocated the use of hypnosis.

Strindberg developed a theory that sexual warfare was not motivated by carnal desire but by relentless human will. The winner was the one who had the strongest and most unscrupulous mind, someone who, like a hypnotist, could coerce a more impressionable psyche into submission. His view on psychological power struggles may be seen in works such as CreditorsThe Strongerand Pariah Inafter a separation and reconciliation with Siri von Essen, he founded the Scandinavian Experimental Theatre in Copenhagen, where Siri became manager.

Less than a year later, with the theatre and reconciliation short lived, he moved back to Sweden while Siri moved back to her native Finland with the children. While there, he rode out the final phase of the divorce and later used this agonizing ordeal for the basis of The Bond and the Link Strindberg also became interested in short drama, called Quart d'heure.

He was inspired by writers such as Gustave Guiche and Henri de Lavedan. His notable contribution was The Stronger As a result of the failure of the Scandinavian Experimental Theatre, Strindberg did not work as a playwright for three years. Inhe published an essay entitled "On Modern Drama and the Modern Theatre", in which he disassociated himself from naturalism, arguing that it was petty and unimaginative realism.

His sympathy for Nietzsche's philosophy and atheism in general was also on the wane. He entered the period of his "Inferno crisis", in which he had psychological and religious upheavals that influenced his later works. August Strindberg's Inferno is his personal account of sinking deeper into some kind of madness, typified by visions and paranoia.

In Strindberg och alkoholenJames Spens discusses Strindberg's drinking habits, including his liking for absinthe and its possible implications for Strindberg's mental health during the inferno period. Symbolism was just beginning at this time. And then one seduces the partner, or defiles the friend. I hated her now with a hatred more fatal than indifference because it was the other side of love.

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Why is it so painful to watch a person sink? Because there is something unnatural in it, for nature demands personal progress, evolution, and every backward step means wasted energy. What an occupation! To sit and flay your fellow men and then offer their skins for sale and expect them to buy them.