Gunta stolzl biography

Watch and Listen. Villa Vassilieff.

Gunta stolzl biography: Gunta Stölzl (5 March –

FR EN. Support us. At the Villa Vassilieff. Villa Vassilieff - 21, avenue du Maine Paris France info[at]aware-art[. German textile artist and designer.

Gunta stolzl biography: Born in Munich, the

Georg Muche brought in Jacquard looms to help intensify production. He saw this as especially important now as the workshops were the school's main source of funding for the new Dessau Bauhaus. The students rejected this and were not happy with the way Muche had used the school's funds. This, among other smaller events, instigated a student uprising within the weaving department.

On March 31,despite some staff objections, Muche left the Bauhaus. Bythe need for practical materials was highly stressed and experimentation with materials such as cellophane became more prominent. The earlier Bauhaus methods of artistic expression were quickly replaced by a design approach which emphasized simplicity and functionality.

She and her students, especially Anni Albers, were very interested in the properties of a fabric and in synthetic fibers. They tested materials for qualities such as color, texture, structure, resistance to wear, flexibility, light refraction and sound absorption. She continued her love of the arts as a young woman at the Kunstgewerbeschule School of Arts and Craftswhere she studied decorative and glass painting, ceramics, and art history.

Even as a nurse during World War I, she filled the pages of her journals while serving on the Italian and French fronts. There, she had soon mastered the fundamentals of weaving and began teaching other students, enjoying intense collaboration with others. Students sometimes supplemented learning weaving and dyeing techniques outside the school but were motivated by the open and fruitful dialogue of the Bauhaus setting.

Huge potential for experimentation lay before us. It was essential to define our imaginary world, to shape our experiences through material, rhythm, proportion, color and form. Byher designs showed the colorful influence of Paul Klee and Wassily Kandinsky. This meant the students were left to their own devices to figure out all technical aspects of a craft most had little experience working in.

Due to this set-up, it is important to look at the Weimar era gunta stolzl biography visually as opposed to technically. The first official Bauhaus exhibition took place in September in the Haus am Horn building. The building itself, primarily designed by Georg Muche, was a simplistic, highly modern cube structure made largely of steel and concrete.

Gunta stolzl biography: Born in Munich as Adelgunde Stölzl.

Each room of the house was designed around its specific function and had specially made furniture, hardware etc. The weaving workshop participated by creating rugs, wall hangings and other objects for various rooms all of which won favorable reviews. In Aprilthe Weimar Bauhaus closed and reopened in Dessau in Although she was not officially made a junior master untilit was clear both the organization and content of the workshop were under her control.

Georg Muche brought in Jacquard looms to help intensify production. He saw this as especially important now as the workshops were the school's main source of funding for the new Dessau Bauhaus. The students rejected this and were not happy with the way Muche had used the school's funds.

Gunta stolzl biography: Gunta Stölzl (), the first woman

This, among other smaller events, instigated a student uprising within the weaving department. On March 31,despite some staff objections, Muche left the Bauhaus. Bythe need for practical materials was highly stressed and experimentation with materials such as cellophane became more prominent. The earlier Bauhaus methods of artistic expression were quickly replaced by a design approach which emphasized simplicity and functionality.

She and her students, especially Anni Alberswere very interested in the properties of a fabric and in synthetic fibers. They tested materials for qualities such as color, texture, structure, resistance to wear, flexibility, light refraction and sound absorption.