Karya karl briullov biography

KrylovV. ZhukovskyN. KukolnikYu. SamoilovaA. He also participated in the painting of the Lutheran church and St. At the insistence of doctors inthe artist Bryullov went to Madeira to improve health.

Karya karl briullov biography: Bahasa Indonesia: Karl Bryullov

A year later, he came to Italy and, having lived there untildied of a suffocation in the town of Manziana not far from Rome. The works created by the painter in the last years of his life are distinguished by a peculiar romanticism and theatricalization. On this page we have collected for you the best paintings by Bryullov, which the artist created at different periods of his career.

You can see the reproductions in high resolution, register on our website and enjoy the works that are rightfully included in the world treasury of art. Read more. Artworks liked by. Artworks by the artist. Choose a language.

Karya karl briullov biography: Through these men Shevchenko also

Characteristics of art [ edit ]. Selected artwork [ edit ]. Narcissus, Russian Museum. Italian Morning, Kunsthalle Kiel. Italian Midday, Russian Museum. Bathsheba, Tretyakov Gallery. Girl, gathering grapes in the vicinity of Naples, Russian Museum. Not later than Russian Museum. See also [ edit ]. References and notes [ edit ]. Art Inquiry Gusev, E.

Petrova, G. ISBN OCLC Bryullov was greatly impressed when he saw the ancient town, perfectly preserved under the ash. The cataclysm had been so sudden that life had simply stopped, as if frozen in time.

Karya karl briullov biography: Karl Pavlovich Bryullov ( - )

Six years passed between the conception of the idea and its materialization on a huge epic 24 square meter Bryullov obtained financial backing from the wealthy Russian art collector Count Anatoly Demidov and spent three years — on the actual painting while visitors flocked to his studio to see the work in progress. After the first sketches had been done, he began studying the artifacts found in excavations and historical documents, such as the letters of Pliny the Younger, who was an eyewit-ness to the event it is believed that Pliny is portrayed as the young man persuading his mother to come with him in the right part of the picture.

After much historical and archeological research, Bryullov chose an existing location in Pompeii as the setting for his painting. The painting shows the ancient catastrophe, the eruption of Vesuvius, which involved the destruc-tion of Herculaneum and Pompeii in 79 AD. After the buried cities were discovered, this event be-came a popular motif in the art and culture of the 18th and 19th centuries.

In his work, Bryullov discerned a profound feature, consonant with romanticism — the idea of the global end of civiliza-tion. Rich and splendid, a civilization dies dramatically: palaces crumble, statutes fall, the sky karya karl briullov biography horrible black clouds catches fire, clods mix into total black rain. At the horrible moment of disas-ter, people with faces and postures, beautiful in their antique way, are full of goodness and self-sacrifice.

The Italian cities, where the picture has been displayed, gave the artist red-carpet receptions. Everywhere he was received with honor as a trium-phant genius, understood and appreciated by all. The work was also exhibited in the Louvre, Paris. Bryullov won awards at the Paris Salon of at the Louvre and he received hon-orary memberships in the Academies of Bologna, Florence, Milan, and Parma; in Russia, Bryullov was acclaimed the greatest master of his time.

The canvas was admired by French writer Stendhal. Danish sculptor Bertel Torvaldsen claimed that none of the painters living in Rome were able to even arrange such a work. A monumental tour-de-force of drama, vivid color and twisting and tormented bodies, the enormous canvas captures the emotional intensity of the moment with such power that Bryullov has been known ever since as the first painter of Russian Romanticism, the Pushkin of the visual arts.

Pushkin, with whom Bryullov made friends in Moscow, wrote to his wife: 'Bryullov is with me now. He is going to Petersburg, reluctantly, afraid of the climate and of being tied down. Petersburg was not easy or independent. But his friendship with Pushkin, Zhukovsky, Krylov and Glinka, and his acquaintance with Gogol, Belinsky, Lermontov, Baratynsky and Dargomyzhsky helped him on to new successes.

The portrait gallery of his contemporaries which Bryullov produced in St. Petersburg he painted about eighty portraits is the most precious part of his legacy. Full-length portraits, in which he had excelled in the twenties and thirties, were also very important in his Petersburg period. In the background is depicted the emperor in a sultan's costume, and a courtier dressed as the god of commerce.

Karya karl briullov biography: The Last Day of

Mercury points to a girl in a white veil, personifying innocence. The masquerade is associated here with the falseness and emptyness of the beau monde. Contracted with it in the portrait are the images of the proud and independent Countess Samoilova and the pensive tender Amazilia Paccini. Bryullov achieved especial success in realist psychological portraiture.

TG are all gems of Russian portraiture. The critic Belinsky wrote of them: 'To be able to paint a faithful likeness is to be endowed with a certain talent, but that is only half of the story. Let your friends have his portrait done by Bryullov, and it will appear to you that a mirror reflects his image less faithfully, because this will be not merely a portrait, but a work of art, which captures not only external similarity but the whole of his soul as well.

In the spring of Bryullov went abroad for the sake of his health.